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1-54 London Art Fair: Showcasing the Best of Contemporary African Art and Conversations

1-54 London Art Fair: Showcasing the Best of Contemporary African Art and Conversations

by Michelle Oluchi Oct 10, 2024

As the leading international fair dedicated to contemporary African art, 1-54 has become a major platform for showcasing the richness, diversity, and complexity of African creativity. Founded by Touria El Glaoui in 2013, the fair takes its name from the fifty-four countries that make up the African continent and is held annually in three major cities—London, New York, and Marrakech. 1-54 provides a vital space for artists, galleries, and collectors to engage with African art in a global context. This year’s 1-54 London edition promises to be an engaging celebration of the continent’s vibrant contemporary art scene, featuring carefully curated exhibitions, insightful talks, and panel discussions. Running from October 11-15, 2024, the fair will bring together leading galleries, curators, and thought leaders to explore African art’s evolving role in the global art world. Among the highlights of this year’s program are several discussions that delve into key issues surrounding identity, artistic practice, and cultural connections. A particular focus will be placed on the dynamic relationship between Nigeria and Britain and the transformative power of art in bridging these two nations.

At the forefront of the conversation is Dr. Hassan Aliyu (DProf), FRSA, a distinguished British-born artist known for his transformative collaged paintings. Dr. Aliyu is a member of the Guild of Professional Fine Artists of Nigeria (MGFA) and currently serves as the president of the Nigeria Art Society UK (NASUK). His work reflects a deep engagement with the legacies of colonialism, global capitalism, and the socio-economic challenges faced by the Global South, particularly in Nigeria. Aliyu’s journey as an artist was shaped by his experiences in Nigeria during the Structural Adjustment Programme (SAP) in the 1980s. While studying at Ahmadu Bello University in Zaria, the IMF-induced austerity measures severely limited access to traditional art materials. In response, Aliyu innovatively turned to recyclable materials, incorporating vibrant packaging from both local and colonial-era consumer goods into his artwork. This period marked the beginning of his thematic exploration of Africa’s economic struggles and the long-lasting impact of slavery, colonialism, and capitalist exploitation.

Dr. Aliyu’s work is deeply personal, influenced by his own experiences with racially motivated violence and the distress his family endured during the UK’s Windrush scandal. His art offers a powerful commentary on state-sponsored injustices while also reflecting on Nigeria’s contemporary struggles. Aliyu’s creative practice represents a bridge between his British and Nigerian identities, making him a key figure in discussions on African art and its global influence.

Waves of Change: Artistic Journeys from Nigeria to Britain One of the most anticipated discussions at this year’s 1-54 is the panel titled “Waves of Change: Artistic Journeys from Nigeria to Britain,” which takes place on October 12, 2024. Moderated by Professor Paul Goodwin, this panel will explore the creative processes and cultural legacies of Nigerian artists in the UK. In addition to Dr. Aliyu, the conversation will feature exhibition curator Dr. Louisa Uchum Egbunike and artists Obi Okigbo, Chike Azuonye, Lara Ige-Jacks, and Dr. Ade Ogundimu. This discussion will delve into the historical and artistic ties between Nigeria and Britain, starting with the pioneering work of Uzo Egonu and Chinwe Chukwuogo-Roy, two Nigerian artists whose careers flourished after moving to the UK. The panel will explore how these artists navigated their dual heritage, combining elements of Nigerian tradition with Western influences to create innovative and impactful works. The panel will also highlight contemporary themes, such as migration, identity, and the complexities of cultural memory. Dr. Aliyu’s perspective on the intersection of Nigeria’s socio-economic challenges and Britain’s colonial legacy will add depth to the conversation, making it a must-attend event for anyone interested in the global dialogue surrounding African art.

Other Must-Attend Talks on October 11, 2024

In addition to the “Waves of Change” panel, 1-54 London will host a series of thought-provoking discussions on October 11, exploring everything from motherhood and creativity to the promotion of African art in new markets.

  • Sharjah Biennial 16: To Carry Aqueous Kin: This talk will focus on the curatorial thinking behind the Sharjah Biennial 16, with a particular emphasis on oceanic geographies and the connections between the Gulf, Africa, and South Asia. The panel will explore cultural continuities, migratory sonic ecologies, and the infrastructures surrounding water bodies. One of the key highlights will be the participation of Cassi Namoda, an artist whose work engages with Luso-African narratives, matrilineal histories, and the complex legacies of colonialism.
  • Artful Motherhood: Navigating Creativity and the Influence of Parenthood on Artistic Practice: Motherhood and creativity are often seen as competing demands, but many artists manage to balance both. This panel will bring together artist-mothers to discuss how their experiences of parenthood influence their work and how they navigate the unique challenges of being both a mother and a creator. The discussion will provide valuable insights into how life’s most profound personal experiences shape artistic expression.
  • Bridging Cultures: Promoting African Art in the Asian Market: As African art continues to gain recognition on the global stage, the Asian market presents a rapidly growing opportunity for artists and collectors. This panel will examine the unique challenges of promoting African art in Asia, particularly in regions where cultural exchanges between the two continents are still developing. With a focus on Nigerian art, the discussion will explore strategies for increasing the visibility and appreciation of African art in this vibrant market.

 

1-54 is more than just an art fair; it’s a platform that fosters critical conversations about African art’s place in the global art world. Through its exhibitions and talk programs, the fair highlights the diversity and depth of African artistic expression, while also addressing pressing socio-political issues such as colonialism, migration, and identity. With a lineup of renowned artists and scholars, including Dr. Hassan Aliyu and Dr. Ade Ogundimu, this year’s edition promises to be a thought-provoking exploration of African art’s global impact. Whether you’re interested in the intersections of Nigeria and Britain or the broader challenges of promoting African art globally, 1-54 London will offer you new insights and inspirations.

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